සිංහල මුල් පිටපතේ අනුවාදනය මෙතනින් හිත නිවන නිවහනක් සඳහා
The shelter is one of the basic needs of the man living in this world. It is a pleasure for everybody to build a beautiful house with a delightful and pleasurable home and a lot of interesting things to do when building a beautiful home, which is so beautiful and luxurious, in architecture.
First, in accordance with the instructions of an architect who has a good knowledge of the field, the place of division of the land should be abandoned and the place of construction will be abandoned.
Furnishing all the horoscopes of family members according to the timely nature of the miracle given by the charm commenced work on the construction of the house.
B. Select a house with a nobleman, select trees, cut stone and cut down the boundaries.
F Furnishing the appropriate home suitable for the homeowner.
To construct the house floor plan in accordance with the extensions.
House design was designed to be if it was designated by a person who does not know it.
Fetching – according to the rituals of the housework last night. (In line with timely testing)
Cutting foundation – this too has a foundation. It should start from the curtain.
Foundation stone laying – according to the classical law, eight stone poles should be placed in a bush, but in the middle of this day, a treasure is placed in the middle section.
Filling the Frame Erection – This should be done according to the folklore art. As a pawn, Nathasakra should be put on hold and the Atomgala should be pulled. It’s another Atamgala which is used to be used as a pendent, but it is not an ethanangal. The tree branch and palm should be performed.
There is also an academic method in drawing ropes and gowns, and this is done in several ways today. These include tying a cord or thread on the neck – throwing a tie in the clavier, throwing a string-thread, etc. But the best way to do this is to tie the gown to the other end and lower it to the right. You must bring down the fourth corner to the ground. Today, the tapes are stitched four times in four. This method is contrary to the classical system. The carriage is a work done by the carpenter, but masons today are doing this. According to the art, it was right for the carpenter to do it.
If you do not take into account whether the floor is being used in the four-way or the middle, do not take into account the time and the place for it, and this can lead to adverse effects. In the middle of the lamp, the middle lamp should be sacrificed for the Buddha, and the four lamps should be sacrificed. The lamps should also illuminate the gods, the universal and the universal.
It is regrettable that in some instances Bhairav’s sacrifice was performed and done in flaws. This temple, which should be placed on its own premises by a temple devotees who do not know anywhere, does not fulfill the requirements of the Buddha, gods, demigods, patriarchs or anywhere in the land. This is not a good way.
In the foundation of the foundation it should be started in a good curve. For this, the mason should have awareness of the area.
Although the carpenter must carry on the luggage and the artillery after the walls, the employer is creating them today. Put the mace as needed. This method is very poor. It should also be placed by the carpenter who creates the curtain. There are many practices. It is the right way to avoid all mistakes, to cry and petition the women to quit all the wrongs and burn all the lamps to the gods of the universe, and to petition the women to fulfill the matter properly.
The size of the doorposts alone is not at all sufficient. They should be placed in the correct places and must be stretched from every side. The outward inclination and the inclination of the inside are also very unfortunate. The wooden beam stairs to them above them are so bad. They should be placed below the main door even when they are window-laying, but they are often placed in one lid. This is a serious mistake. It should not be used for windows or wooden carvings.
Therefore, you will find the privilege of owning a Supersonic home with the wisdom that prevents all of the frustration, first and foremost, first of all, in the first place.
hita nivana nivahanak san̆dahā
in̆dum hiṭum melova jīvatvana minisāgē mūlika avaśyatā valin ekaki. ē san̆dahā satuṭa sampata piri priya manāpa sundara nivasak idikara gænīma hæma kenekugēma balaporottuvak vana atara ihata subha karuṇu ran̆dā pavatina sundara nivasa jotiṣyayaṭa hā vāstuvidyāvaṭa anukūlava tanā gænīmēdī anugamanaya kaḷa yutu viśēṣa karuṇu rāśiyak gebim śāstraya hevat vāstu vidyāvē dækvē.
fa paḷamuvenma kṣētraya gæna manā avabōdhayak æti vāstu vidyā upadēśakayakugē upadesvalaṭa anukūlava iḍamē pāda bedā aśubha pāda atahæra nivasa idikarana sthānaya tīraṇaya karagata yutuya.
fa pavulē sāmājikayangē han̆dahan siyalla parīkṣākara ē siyallaṭama anuva daivagnayā labādena itāmat śubha vēlāvaṭa anuva nivasa idikirīmē væḍakaṭayutu ārambha kirīma.
fa śubha muhurtayakin nivasa idikirīmaṭa tōrāgena sīmāvē æti gas kæpīma, gal kæḍīma sidukara gepala kæpīma.
fa gṛha mūlikayāṭa gælapena paridi adāḷa nivasaṭa sudusu diga palala niyama kara gænīma.
fa diga paḷalaṭa adāḷa paridi geyi bim sælasum nirmāṇaya karavā gænīma.
fa nivasē sælasuma nirmāṇaya karana laddē gebim śāstraya nodannā ayaku visin nam ekī sælasuma śāstrānukūla dæyi parīkṣā kara gænīma.
fa laṇu ædīma – śāstrānukūlava peradina rātriyē gebimē kaḷayutu vat piḷivetvalaṭa anuva sidukirīma. (tatkāla parīkṣāvaṭa anukūlava)
fa attivāram kæpīma – meyaṭada śāstrīya padanamak æta. śubha disāven æram̆biya yutuya.
fa mulgal tæbīma – śāstrīya niyamaya anuva aṭa koṇa gal aṭak dakṣiṇāvṛtava tæbiya yutu vuvat ada mē venuvaṭa mæda koṭasehi nidhan galak tænpat kerē.
fa kapa kaṇuva siṭuvīma – meyada gebim śāstrayaṭa anuva sidukaḷa yutuya. adāḷa vat piḷivet vaśayen navagraha pūjāva tabā aṭamagala æda tæbiya yutuya. śāntikarma valadī bhāvita vana aṭamaṁgala nova gebimē an̆dina aṭamagala venat ekaki. atta kapana gasaṭada vat piḷivet iṭukaḷa yutuya.
laṇu ædīma hā kūñaaña gæsīmehida śāstrīya kramayak æti atara ada meya krama kihipayaṭa sidukerē. laṇuva hō nūla galē gæṭagasā visikirīma – kūñaañayē gæṭagasā visikirīma- nūl panduva visikirīma ādī vaśayen mēvā daknaṭa æta. ehet mē san̆dahā anugamanaya kaḷayutu niværadima kramaya laṇuvē keḷavaraka kūñaañaya gæṭagasā anek keḷavara dakṣiṇāvṛttava bima helīmaya. satara disāvaṭa dakṣiṇāvṛtava bima patita kaḷa yutuya. ada laṇupaṭa 4 hatara varakaṭa ædīma sidukarayi. ema kramaya śāstrīya kramayaṭa paṭahæniya. laṇu ædīma vaḍu kārmikayā visin sidukaḷa yutu kāryayak vuvat ada pedarēruvan meya sidukarayi. śāstrayaṭa anuva vaḍu kārmikayā atin eya sidukara gænīma niværadiya.
gebima sivkoṇa hā mæda yana sthānavala pahandælvīma sidukaḷat ē san̆dahā niyamita vēlāva hā kavurut udesā tabannēdæyi tækīmak nokara mekī kaṭayutu sidukirīma tuḷin ayahapat pratiphala læbiya hækiya. mæda dalvana pahana budun udesā pūjākaḷa yutu atara sivkoṇa dalvana pahan niyamita deviyaṭa pūjākaḷa yutumaya. mahabam̆buṭa, viśvakarma deviyanṭa hā mihikataṭada pahan dælviya yutuya.
ætæm avasthāvala bahirava pūjā sidukaḷat eyada aḍupāḍu sahitava sidukirīma kanagāṭudāyakaya. tama bhūmiyē tæbiya yutu mema pūjāva śāstraya nodat aya visin kohē hō tibena dēvālayaka sidukirīmen adāḷa bhūmiya tuḷa budun, deviyan, bhūtayin, prētayan udesā kaḷayutu vat piḷivet iṭunokara bahirava san̆dahā dola pidēni labādē. meyada sārthaka kramayak novē.
attivāram bæn̆dīmēdī eya śubha disāven æram̆biya yutuya. mē san̆dahā pedarēruvāṭa disāva piḷiban̆da avabōdhaya tibiya yutuya.
bitti bæn̆dīmen pasu uḷuvahu tæbīma hā pænīmē kāryaya vaḍu kārmikayā lavā sidukaragata yutu vuvada ada vaḍukārmikayā ēvā nirmāṇaya karayi. pedarēruvāṭa avaśya lesa tabayi. mema kramaya itā aśubha phala dennaki. uḷuvassa nirmāṇaya karana vaḍukārmikayā visinma eya tæbīmada da sidukaḷa yutuya. īṭa adāḷa piḷivet bohōya. aṭakoṇaṭa arakgat dūtīyan dolapidēni dīma, sivkoṇa sivvaram deviyanṭa pahan dælvīma, viśvakarma deviyanṭa siyalu puda pūjā tabā pahan dælvīma tama siyalu vasdos ivatvī adāḷa kāraṇaya nisilesa iṭuvīma san̆dahā stroatra gāyanā kara kannalav kara siyalu dōṣa magahæragænīma niværadi kramaya vē.
nivasē uḷuvahu pramāṇaya ottē vīma pamaṇak kisisēt pramāṇavat novē. ēvā niværadi tænvala tæbiya yutu atara sǣma pættakinma lam̆bakara tibiya yutuya. piṭataṭa næm̆buruvīma hā ætulaṭa næm̆buruvīmada itāmat asubhadāyakaya. yaṭa lī parāla bālka ēvāṭa ihalin adanaṭa pihiṭīma itāma aśubhaya. janel tæbīmēdīda pradhāna doraṭa vaḍā pahaḷin ēvā tæbiya yutu vuvat ada bohō viṭa ekama hulakaṭa ēvā tabayi. meya barapatala varadaki. pradhāna doraṭa yodāgannā lī kæṭayam janel san̆dahā yodāgænīmada nokaḷa yutu kriyāvaki.
ebævin ihata karuṇu sælakillaṭa gena alaṁkārayaṭama nova jotiṣya vidyāvaṭa hā vāstu vidyāvaṭa multænadī siyalu aśubha śaktīn man̆gahæra sihi nuvaṇin kriyā kirīma tuḷin supasan nivasaka himikaruvīmē bhāgyaya obaṭada udāvanu æta.
This is a Google word to word translation of Divaina