සිංහල මුල් පිටපතේ අනුවාදනය මෙතනින් උපන් ලප හෙළි කරන ජීවිත රහස්
The old Sarshims have stated that according to the position of the person’s hind legs, the feminist characteristics can be expressed in terms of one’s own characteristics and according to the nature of one’s character. There are many thoughts about this birth patch. They also do not lose academic standards.
Scarlet and Ordinary are also related to the type of birth. If a woman has a middle flap, then it is a good sign for a chaste woman who honors her. If a Roman tree is shown with a dark black hue of a woman, she becomes popular in the face of a special person’s marriage. She is also loved by everyone. Wealth, power and reputation.
The position of the birth pale on the male’s shoulders is a sign of prosperity, and the birth hand on the left shoulder is a gifted person. A good sign is the position on the right shoulder or bone scar. The sign on the left shoulder is not good. A woman with a left hand on the left hand, loves her husband. A full-bodied woman named Isuru Baba, who lives in the south of Sri Lanka with a birth or spot in the right. A person with a birth hand has a straightforward policy maker who can win the hearts of others. A wound that is in the palm of birth or a dancer finds a better marriage. If you have a right blade, you have a scar on the blades, and if you have such a sign in the left hand, you should be honored by relatives. Births of a woman on the toes of fingers are places that are uncomfortable.
The pores of a male or female are a sign of a worrisome and tragic life. The position between the two shows shows that she is very keen. He is also a heart full of poignant thoughts. Such spots in the eyeliners often cause sorrow, sadness. Unfortunately, the birth of the right side of the nose on the right side is unfortunate. The location on the left side will be the location where you will find resources. The location of the kobulus shows lucky children and artistic skills. The location of the birth of the china will be fortunate. If the left hand of the neck is located on the left, the arms are attached to the cuts and the right on the right side of the neck shows a marvelous life. There are conflicts, friendship, and place of birth in the heart, disputes, wealth, progress and destruction of the resources. It is also fortunate to have a pituitary on the spine. He is a person who does not surrender to anyone who has direct ideas. In the case of the wristwatch, it is shown that the person lives in obedient and well-balanced restraint, and the gesture of such a sign indicates genuine landmark gems.
The archetypal conclusion is that the lustful husband’s lips appear to be drunken. The position of a person in a person’s mouth is showcased. The woman on the hips is said to be a talent for gossiping others. If there is a scab or blade in the loins, these women will be identified as women without restriction. Over-the-counter black spots affect the body’s blood, corrosion, rapid anger, and likelihood. The appearance of spots in the neck, causes a decrease in marital material, and is often a painful one. If the hands of the rock band formed black spots, it would be an obstacle to education. If the black spot of the Rwau council is located, he or she will make someone afraid of cowardly law. It is a mischievous condition that causes the black spot to fall into the prison. The black spots in the middle of the Veneer Board and the middle fingers show unsuccessful marriages and anguish and vices. If he has a birthmark on the finger, he may be a famous person. The womb in the palm or the one’s womb is a better marriage mate. If it is a smooth, painted, ornate, piercing blotch on your head, it will be a sign of ruthlessness in the middle ages of life. If it is located at the top of the head, there are some wealthy benefits.
upan lapa heḷi karana jīvita rahas
pudgalayakugē an̆ga pasan̆ga pihiṭīma anuva hevat dēha lakṣaṇa vidyāva anuva kenekugē carita svabhāvayan kiva hæki sēma kenekugē śarīrayē pihiṭana upan lapa anuva da carita lakṣaṇa pævasiya hæki bava pæræṇi sṛṣivarun san̆dahan kara æta. śarīrayē pihiṭana mema upan lapa piḷiban̆dava noyekut mati matāntara æta. mēvāyehi śāstrīya tattvayan da nætivā novē.
tala kælal hā niyamal da upan lapa gaṇayaṭama gænē. yam striyakagē nalalē mæda lapayak pihiṭiyē nam eya tama sæmiyāṭa sæpa sampat labā dena samājayē garu buhuman labā dena kulācāra kāntāvakaṭa pihiṭana suba lakuṇaki. striyakagē tada kalu pāṭa lapayak saman̆gaÊrōma gasak dækvē nam æya janapriyatvayē hini pettaṭama patvana atara suviśēṣa pudgalayakugē vivāhayakaṭa patveyi. emenma æya sæmagē ādarayaṭa da pātra vē. dhanaya, balaya labanniyak vana atara raṭē kīrtiyaṭa da patvenu æta.
pirimingē dakuṇu urahisehi upan lapayak pihiṭīma saubhāgyaya penvana saṁkētayak vana atara vam urahisehi æti upan lapaya guṇahīna pudgalayaku han̆dunvā deyi. dakuṇu urahisehi innek hō tala kælalak pihiṭīma suba lakuṇak vannēya. vam urahisehi evæni lakuṇak tibīma suba novē. vam urehi upan lapayak æti kāntāva svāmipuruṣayāṭa priya vannīya. dakuṇu urehi upan lapayak hō innek pihiṭīmen digu kal jīvatvena isurubavin piruna kāntāvak pennum karayi. atlehi upan lapayak æti pudgalayā anungē sit dinā gænīmaṭa samat sṛju pratipatti æti ayek vē. atlehi upan lapayak hō innek pihiṭi vanitāva usas vivāhayakaṭa himikam labannīya. dakuṇu atlehi tala kælalak ætnam vastu bhaṁgatvayak da, vam atlehi evæni lakuṇak ættē nam nǣdæyangē gauravayaṭa pātra vana bava da data yutuya. kāntāvakagē æn̆gilivala upan lapa ætivīma asahanaya penvana pihiṭīmak vē.
striyakagē hō puruṣayakugē debæmavala æti lapa itāma abhāgya sampanna karadarakārī jīvitayak penvana lakuṇaki. debæma atara pihiṭīma kāmayaṭa dæḍi lol bavak pennum karayi. esēma durjana sitivilivalin gahana vū hadavatak himiya. æs pihāṭuvala evæni lapa bohō duraṭa duka, kanagāṭuva gena deyi. nāsayē dakuṇu pættē upan lapayak æti vīma avāsanāva pennum karayi. vam pættē pihiṭīma isuru sampat læbena pihiṭīmak vanu æta. kopul talayē pihiṭīma vāsanāvanta daruvan læbīmaṭada, saṁgīta kalā aṁśavalaṭa dakṣa bava da pennum karayi. nikaṭē upan lapa pihiṭīma vāsanāva genadeyi. bellē vampasa upan lapayak pihiṭiyē nam āyudha sambandha kæpum keṭumvalaṭa bhājanaya vīmada, bellē dakuṇupasa sallāla jīvitayaka lakṣaṇa da pennum karayi. hṛdayē lapa pihiṭīma darulābha, mitralābhada, urehi pihiṭīma nǣdæyan atara āravulda, kihilivala dhanaya, diyuṇuva, sæpa sampat vināśavīmada pennum kereyi. piṭehi upan lapayak pihiṭīma da vāsanāvantaya. sṛju adahas æti kisivekuṭa yaṭat novī jīvatvana ayek veyi. mæṇik kaṭuva pradēśayehi nam kīkaru manā saṁyamayakin jīvatvana ayek bava pennum karana atara at dekehi evæni lakuṇak pihiṭīma mæṇik, iḍakaḍam lābha pennum karayi.
surā pānayaṭa giju puruṣayāgē tolvala upanlapa disvena bava śāstrīya nigamanayayi. puruṣayakugē tolehi inneku pihiṭīma samājaśīlī gatiya pennum karayi. tolehi upan lapayak pihiṭi kāntāva an ayagē ōpadūpa soyamin gata karana kēlāmkāriyak bava kiyanu læbē. tolehi innek hō tala kælalak ættē nam mevundam sēvanayehi sīmā rahita āśā æti gæhæniyak lesa han̆dunāgata hækiyi. śarīraya purā visirī giya adhika kaḷu lapa valin lē dūṣya asanīpa, ikman kōpa gatiya, svakīya matayama abhimata ayaku vē. bellehi lapa disvīma, vivāha sæpa sampat aḍu vī yæmaṭa hētu vana atara nitara sit vēdanāven kal gevana ayek bava dækveyi. atlē budha maṇḍalayē kaḷu lapa æti vī nam adhyāpanayaṭa bādhā gena dena salakuṇaki. ravi maṇḍalayē kaḷu lapa pihiṭiyē nam ohu hō æya biyaguḷu gati æti nītiyaṭa biya æti ayek karavayi. kuja maṇḍalayē kaḷu lapa væṭīma bandhanāgāragata vīmaṭa hētu penvana abhāgyasampanna pihiṭīmaki. sikuru maṇḍalayē hā dakuṇu atlehi mæda pihiṭi kaḷu lapa valin asārthaka vivāhayat, citta pīḍā hā dhana nāstiya da, pennum karayi. æn̆gilivala upan lapa ættē nam ohu prasiddha pudgalayeku viyahæka. atlehi upan lapayak hō innek pihiṭi vanitāva usas vivāha sæpatak labannīya. sinin̆du vūt, maṭa siḷuṭu vūt, vṛttākāra vūt, śōbhāva gena dena lapayak hisehi ætnam eya jīvitayē mædi vayasēdī hadisi dhana lābhayak gena dena lakuṇaki. hisa mudunēma eya pihiṭā ættē nam dhana lābha kīpayak ma himiviya hæka.
This is a Google word to word translation of a article publised on Divaina on 2012/06/01.