සිංහල මුල් පිටපතේ අනුවාදනය මෙතනින් අතේ හැඩයෙන් කියවෙන ජීවන තොරතුරු
There is a good relationship between the human hand and the brain. Teaching the teaching process prior to teaching a child in the child’s education system. Many things make the child’s mind gradually grow.
Men’s and women’s hands are of different shapes. Usually the men’s palm is thick. The fingers are great. The candlesticks of women are awe-inspiring. Fingers thin. Stretch. Although the hands are diverse, they are divided into several types according to the shape of the pawn.
The first arm, square arm, industrial arm, philosopher arm, artistic hand, thoughtful arm, seven kinds of mixed hands. Let’s see what each of these hand-pickers has in common.
Primary Hand –
The short hand fingers are called the first arm. The palm is very heavy. He is smart at work. They have to work hard to get their livelihood. Many workers are entitled to such hands. Women with such hands are working hard. Not intelligent. Provides evil qualities. They act as a musty for their cravings. The line is low. Sometimes, there are only the life line, header line, the heart line. The other lines are not visible.
Rectangular hand –
The square arm at the edge of the wrist and the fingers of the fingertips is called this. Such people have the strength to understand everything. When a person sees something, he looks at it and learns to do it. Legitimate, commitment to the fulfillment of promises is the good characteristics in these. These pens often have the palm of their choice to doctors, doctors, It’s a weak way to think too hard about thinking too much.
Industrial hand –
The sleek, neatly shaped bone, known as the industrial hand. A special feature is the fine fingers located close to the wrist. They are wide claws. Building hand mechanics, automobile and mechanics, and engineers. Very clever to make new inventions. New inventors. Worksheet work. It’s not lazy.
Philosopher’s hand –
These hands are very prefers. Fingers thin. The nail is very clean. The hands are well located. The lines of the line are very clear. Their thoughts and feelings are very clean. The clever man is thinking philosophically about everything. There is no sense in fortifying wealth. He wants to spend his wealth for others. Carefully and intelligently. No more excruciating. A highlight among the crowd.
Hand in hand –
Very smooth fingers. The root of the fingers is slightly wide. Does not like to work hard. Actors, artists, singers and artists have these hands.
They are very sensitive. It’s also good. They are eager to be entertained and entertained by fun.
There is also some selfishness, since he is constantly cautious about his comfort. Social associations are very much in love.
Mental hand –
Mental hand has some systematic character. The fingers are gradually thin. Finger-legend. The nails are thin. It makes it more difficult than it is to think about it. Because of the thought of the heart, it will delay the decision. Delays cause some work to go off.
Likely for worldly life. Divorces his life for religious purposes. Prefers the rural environment.
Mixed hands –
There is a mixture of all the previously mentioned hands in this hand. All hands are called teenagers. But nothing knows nothing at all. Everything is known.
The magic for business. If engaged in public service, he will perform very skillfully. I would like a lot of pleasure.
It is important to look at which type of hand belongs to you before you test the lines when calculating fractures.
atē hæḍayen kiyavena jīvana toraturu
minisāgē ata hā moḷaya atara manā sambandhatāvak æta. ḷadaru adhyāpana kramayē dī daruvakuṭa akuru ugænvīmaṭa pera, atin karana kriyā kārakam uganvayi. atin karana bohō dē nisā daruvāgē manasa kramayen væḍeyi.
væḍuṇu pirimingē hā kāntāvangē at vividhākāra hæḍayen yuktaya. sāmānya vaśayen pirimingē atla gorōsuya. æn̆gili mahatya. kāntāvangē atla siyumæliya. æn̆gili sihinya. dikya. at vividhākāra vuvada sāmudrikā śāstrayē dī atlē hæḍaya anuva varga kīpayakaṭa bedā æta.
mūlika ata, hataræs ata, kārmika ata, dārśanika ata, kalākāmī ata, caitasika ata, miśra ata yanuven varga hataki. mē ek ek atak himi ayakuṭa podu vū lakṣaṇa monavā dæyi balamu.
mūlika ata –
aga mahat vū keṭi æn̆gili valin yukta hastaya mūlika hastaya vaśayen hæn̆dinvē. atla itā gorōsuya. bara væḍa kirīmehi dakṣaya. tama jīvikāva gena yæma san̆dahā śarīraya mahansi vī karana rakṣāvala yedīmaṭa siduvē. bohō kamkaruvō mevæni atvalaṭa himikam darayi. mevæni atvalaṭa himikam darana kāntāvōda śarīraya vehesavā væḍa karati. buddhimat novē. napuru gatiguṇa pihiṭayi. tama āśāvan mudunpat kara gænīma san̆dahā tirisannu men kriyā karati. atlē rēkhā aḍuya. samahara viṭa, jīvana rēkhāva, śīrṣa rēkhāva, hṛda rēkhāva pamaṇak æta. anek rēkhā daknaṭa nomæta.
hataræs ata –
mæṇik kaṭuva asala saha æn̆gili mula eka samānava pihiṭā æti caturaśra hastaya mē namin hæn̆dinvē. meban̆du ayaṭa ōnǣma deyak vahā avabōdha vīmē śaktiya æta. keneku yamak karanu duṭu viṭa, ē desa balā siṭa eya kirīmaṭa igena ganiyi. nīti garuka bava, porondu iṭu kirīmaṭa kæpavīma movun tuḷa æti yahapat lakṣaṇa vē. nītivēdīnṭa vaidyavarunṭa dakṣa vyāpārikayanṭa mema atla bohōviṭa himi vē. pamaṇaṭa vaḍā sitannaṭa yæmen samahara væḍa atapasu kara gænīma pavatina durvala kamaki.
kārmika ata –
piḷiveḷakaṭa næti vividha hæḍayen yukta vakuṭu vū hastaya, kārmika ata namin prakaṭaya. mæṇik kaṭuva ḷan̆ga sihinva æn̆gili mula mahatva pihiṭīma viśēṣa lakṣaṇayaki. paḷal vū niya pihiṭā æta. goḍanæn̆gili kārmikayan, vāhana hā yantra kārmikayan, iṁjinēru śilpīn mema at himi aya vē. nava nipæyum kirīmaṭa itā dakṣayōya. nava nirmāṇa karuvōya. væḍehi yedīmaṭa kæmatiya. kammæli kamak næta.
dārśanika ata –
mē at itā priya manāpa hæḍayen yuktaya. æn̆gili tuḍu sihinya. niya itā pirisiduya. atla manāva pihiṭā æta. atē rēkhāvan itā pæhædiliya. movungē adahas hā situvili itā pirisiduva pavatī. igenīmē dakṣaya, hæma deyak gænama dārśanikava kalpanā kara balayi. dhanaya goḍagæsīmaṭa kalpanāvak næta. tama dhanaya anun udesā væya kirīmaṭa kæmatiya. pravēśam sahitava buddhimatva kriyā karayi. væḍi kalabala gatiyak daknaṭa næta. samūhayak atara kæpī peneyi.
kalā kāmī ata –
itā sinin̆du sihin æn̆gili valin yuktaya. æn̆gili aga sihinva mula taramak paḷalva pihiṭā æta. bara væḍa kirīmaṭa kæmati næta. naḷu niḷiyanṭa, gāyaka gāyikāvanṭa, citra śilpīnṭa mema at pihiṭā æta.
bohō saṁvēdī aya veti. gatiguṇada yahapatya. pahasuven jīvatvīmaṭa, vinōdavīmaṭa kavaṭakam karamin satuṭu vīmaṭa bohō kæmættōya.
tamāgē sæpa pahasukam gæna nitarama parīkṣākārī vana heyin, taramaka ātmārthakāmī bavak da æta. samāja æsura bohō seyinma priya karati.
caitasika ata –
caitasika atehi yamkisi kramānukūla bavak æta. æn̆gili kramayen sihinva pihiṭā tibē. æn̆gili aga ulya. niyapotu sihinya. pramāṇayaṭa vaḍā sitīma nisā eya tamāgē diyuṇuvaṭa bādhāvak kara ganī. sita sitā siṭina nisā tīraṇayak gænīma pramāda karayi. pramādaya nisāma samahara væḍa atapasu vī yayi.
laukika jīvitayaṭa væḍi kæmættak næta. āgamika pættaṭa jīvitaya kæpa karayi. gæmi parisarayaṭa vaḍāt priya karayi.
miśra ata –
kalin san̆dahan karana lada siyaluma atvala miśraṇayak mema atē daknaṭa læbē. mema at himi aya siyallama dat aya vaśayen samājayē hæn̆dinvē. ehet kisivaka parateraṭa dannē næta. hæma deyama ṭika ṭika danī.
vyāpāra kaṭayutu valaṭa śūraya. rajayē sēvayē niyukta vuvahot itā dakṣa lesa rājakāri iṭu karayi. ātma varṇanāvaṭa bohō kæmatiya.
ata balā palāpala kīmēdī rēkhāvan gæna parīkṣā kirīmaṭa pera ata kumana vargayakaṭa ayat dæyi vimasā bælīma vædagatya.
This is a Google word to word translation of a article publised on Divaina on 2012/06/29.