සිංහල මුල් පිටපතේ අනුවාදනය මෙතනින් වාස්තු ශිල්පීය ධ්වනිතභාවය
House plans and desires
Your own knowledge, objectives, capabilities, shape of the land and the size of the land, the cost, the amount, the family and your needs, the home shapes, the plans you have seen and the amount of money you spend, the amount spent, neighborhood and adjoining construction Is focused on. If you do not know all this, then you will be lost, despite understanding. You instantly change the text of what you think from home. Ultimately, for your money only you have to build only a foundation or a part. This was the cause of the desires of the heart. Or with this, the vice, the foolishness, the desire and the rush. When you get enslaved, you will throw your interests aside. But the conqueror will live in a lovely home. So when planning a design, you must be mind-controlled. You need to focus on the desire for different shapes, the desire to defuse another home, the desire to repent others, the desire for personality, etc. Otherwise it is a hindrance to the planning of their intentions. The architect will, in accordance with your architectural fundamentals, create your own desires according to your desires. The key factor in making that design is money. So, the sum of money that comes from relatives including money, lending money, parents or brothers and sisters must try to make your dream come true. Desire is a cause for deception. Deception is an obstacle to satisfying your design. In your planning, your ideas, family ideas, preferences and preferences are important. The lack of your opinion or knowledge of this would be a factor of failure. You should inform the house planner. If you can imagine your own chit-chat the family planner, the designer’s work would be very successful. It’s also easy to update. When designing home planning techniques for your own needs, there may be situations where the designer of the houseplans is disturbed. The starting point is money. Secondly not large. In addition, the problem in practical terms is the possibilities for orientation. The house planner is very concerned about these limits.
Smooth waves and the house
After your home and building plan, your next space is to build it. In this construction, the handling of emotional images will also help to improve the design. Keep your emotions firm. Otherwise they are impossible to achieve. The power of the emotional waves builds on the power of the momentum. The power of these waves is capable of achieving these objectives. For each process, you can see the waveforms corresponding to each mass. It’s a victory for you using the emotional waves. All the people in the construction period must spend their time spiritually. Anger, anger, hatred, bad luck, jealousy should not be in this period. Pirith, practicing religious practice, meditating, and increasing the frequency of waves in houses.
Construction of houses and emotional images
The mental shapes of the house or other constructions are important because the direction of the mind is often influenced by the mindset of the mind. It has been found that strong emotions with the wrong person are always attracted to the mind. But the time span for memory has led to evil. Therefore, you must be careful about the patterns that are created on the patterns created on the patterns. In childhood, the child learns how to make sense of the word in terms of his or her sensuality. But those who know the home, knowing their hearts and minds, are able to build a house for the betterment of their own home. This is very important. These texts are done in collaboration with the environment, according to their needs and financial strength. The failure of these factors leads to failure. That is, their design is weak or infantile. Therefore, it is necessary to obtain the assistance of a knowledge officer to satisfy the chaos of the mind in relation to the construction. You will not be able to get realistic realistic chit chat patterns by not having proper communication in this process. Therefore, when creating emotional images, you should at least be careful about the lengths of the widths of the inside of your home, outer rooms and other features. It was reported that copper raises the earth’s surface. But it was argued that it could not be accepted. It was later confirmed that it was not. You must be perfect in this knowledge. Otherwise, the wise elephants will not be able to capture you yet. Therefore, knowledge is more practical than the logic.
vāstu śilpīya dhvanitabhāvaya
gṛha sæḷasum saha āśāvan
gṛha sæḷasumkaraṇayē dī obagē dænīma, paramārtha, hækiyāvan, iḍamē hæḍaya hā pramāṇaya, væya kaḷa hæki pirivæya, mudala, pavulē saha obagē avaśyatāvan, nivasē hæḍatala, dakina lada sæḷasum hā sitē ædi rū raṭā menma ē san̆dahā væya vana mudala, asalvæsiyan hā yābada idikirīm yanādiya kerehi avadhānaya yomu kerē. mē siyalla esē dæna dæna tibiya dī hevat avabōdhayak tibiya dī da oba ataramaṁ veyi. nivasē siṭa sitāgena ā rūpa peḷa oba visin kṣaṇikava venas karayi. avasānayē obē mudalaṭa obaṭa sidu vī ættē attivāramē hō koṭasak pamaṇak idikirīmaṭa ya. mē tattvaya æti kaḷē sitehi pavatnā āśāvan namæti situvilla ya. nætahot mē samagama mulāva, mōḍakama, āśāva hā atvæl bæn̆da gena siṭī. eyaṭa vahal vū viṭa oba obē uvamanāvan pasekaṭa tallu karanavā æta. ehet, eya jayaganna tænættā sæhælluven alaṁkāra nivasaka jīvat veyi. emanisā sæḷasum sakas kirīmē dī oba saṁvara sitakin, pālanaya karagat sitakin yukta viya yutuya. vividha hæḍatalavalaṭa æti āśāva, venat nivāsa parayā yæmaṭa æti āśāva, venat aya parayā yæmaṭa æti āśāva, pauruṣaya tabā gænimē āśāva, yanādī āśāvan kerehi oba avadhānaya yomu kaḷa yutuya. esē novīma tama sitæn̆gi nivasa sæḷasumkaraṇayaṭa bādhāvak vē. vāstuvēdiyā visin vāstu śāstrīya mūladharmayanṭa anuva ihata kī obē āśāvanṭa ekan̆gava svautsāhayen nirmāṇayak karanu æta. ema nirmāṇaya sakrīya kirīma san̆dahā balapavatvana mūlika sādhakaya vannē mudal ya. emanisā ata tiyena, mudala, ṇayaṭa gannā mudala, demavpiyan hō sahōdara sahōdariyan ætuḷu gnatīngen læbena mudal vala ekatuva obē nirmāṇa sihinaya sæbǣ kara gannaṭa oba utsāha kaḷa yutuya. āśāva vū kalī rævaṭīmaṭa hētuvaki. rævaṭīma vū kalī obē nirmāṇaya santṛptimat kirīmaṭa bādhāvaki. sæḷasumkaraṇayē dī obē adahas, pavulē adahas, demavpiyangē ruci arucikam vædagat ya. ē piḷiban̆dava obē adahasa hō dænīma nomæti vīma asārthaka nirmāṇayakaṭa hētu sādhaka vanu æta. oba gṛha sæḷasum śilpiyā dænuvat kaḷa yutuya. obē citta rūpa gṛha sæḷasum śilpiyāṭa mavā pǣmaṭa obaṭa hæki nam gṛha sæḷasum śilpiyāgē nirmāṇaya itā sārthaka vanu æta. epamaṇak nova eya yāvatkālīna kirīmaṭa pahasu ya. gṛha sæḷasum śilpaya obē avaśyatāvan kerehi yodā gænīmēdī gṛha sæḷasum śilpiyāva sīmāvan atara hiravena avasthā dækiya hækiya. mehidī mūlika vannē mudal ya. devanuva viśāla novana iḍam ya. īṭa amatarava ohuṭa prāyōgikava matu vana gæṭaluva vannē diśānugata kirīma san̆dahā vana avakāśayan ya. mevæni sīmāvan kerehi dæḍi avadhānayak gṛha sæḷasum śilpiyā darayi.
citta taraṁga hā gṛhaya
obē nivasa hā goḍanæn̆gilla piḷiban̆dava karana lada sæḷasumen pasu obagē īḷan̆ga avakāśaya vannē eya idikara gænīmayi. mema idikirīmē dī da citta rūpa nisiyākārava hæsiravīma ema nirmāṇaya yāvat kirīmaṭa hētu vē. tama citta rūpa sthāvara va sthāna gata viya yutuya. esē novuṇa kaḷa aramuṇa iṣṭha kara gænīmaṭa apahasu ya. citta taraṁgayan hi pavatina balaya ma, citta śaktiyehi balaya mata citta taraṁga upadī. ema taraṁgayangē śaktiya ema aramuṇu iṭukara gænīmaṭa avasthāva labā dē. sǣma kriyāvaliyakaṭama , sǣma skandhayakaṭama īṭa anurūpa vū taraṁga dækiya hækiya. citta taraṁga yodā ema taraṁgayan taman natukara gænīma oba labana jayagrahaṇayaki. nivasa idikirīmē kāla paricchēdayē siyalu denā ādhyātmikava kālaya gata kaḷa yutuya. tarahava, kōpaya, vairaya, lōbaya, īrṣyāva mē kālaparicchēdayē dī noviya yutuya. pirit, āgamika vatāvan hi yedīma, bhāvanānuyōgī vīma, sithi æti vū nivāsa piḷiban̆da taraṁga tīvra kirīmaṭa hētuvak vē.
nivasa idikirīma hā citta rūpa
nivasa hō venat idikirīm hi citta rūpa vædagat vannē manasa meheyavīma, sit hi æn̆dena rū raṭā mata bohōviṭa kriyākarana nisāya. værædi doaṣa sahita citta rūpa hæmaviṭama sita āśritava dæḍi ælmak ætikara gænīmaṭa samat vana bava soyā gena æta. ehet ehi mataka kāla parāsaya væḍi vīma ayahapataṭa hētu vī æta. emanisā mævuṇu citta rū raṭā mata mævena rū raṭā valahi dī oba parissam viya yutuya. ḷadaru avasthāvan hi dī citta rūpa valin ha\qnā gænīma kaḷa da vacanaya anuva citta rūpa han̆dunā gænīmaṭa kal yæmē dī ḷamayā purudu vē. ehet nivasa yana akuru tuna dænagena sitehi æn̆dena citta rū raṭā hevat tamangē nivasa piḷiban̆dava śaktiyak æti kirīmaṭa nivasaka avaśyatāva pæna nan̆gina kālaya hevat vayasa vana ayaṭa puḷuvana. mema tattvaya itā vædagat vē. mema rūpa peḷa tama avaśyatāvan hā mūlyamaya śaktīnṭa anuva da, parisarayaṭa ēkābaddhava da, sidu karanu læbē. mema sādhakayangen oba bæhæra vana sādhakaya anuva asārthakatvaya æti vē. enam, tama nirmāṇaya durvala hō boḷan̆da vē. emanisā idikirīma sambandhayen sitehi æti vana citta rū raṭā santarpaṇaya kara gænīmaṭa ē piḷiban̆da dænum ættekugē sahaya labāgata yutuma ya. mema kriyāvaliyēdī sannivēdanaya nisi paridi sidu novīmen obē citta rū raṭāvan niværædiva sæbǣ lesin goḍanan̆gā gænīmaṭa obaṭa nohæki vanu æta. emanisā citta rūpa mævīmēdī dænaṭa oba jīvat vana nivasē ætuḷata, piṭata kāmara vala saha venat aṁgayangē diga, paḷala piḷiban̆dava minum kerehi avadhānaya aḍuma taraminvat yodā gata yutu ya. kopar nikas poḷava gaman karana lada bava prakāśa karana ladī. ehet eya piḷigænīmaṭa nohæki bava tarka karana ladī. pasuva eya esē nomæti bava tahavuru viya. oba mema dænumen paripūrṇa viya yutuya. esē novuṇa hot giya nuvaṇa ætun lavāvat addavā gænīmaṭa bæri bava vana prasthanāva yam dineka obaṭa sihi venu æta. emanisā tarkayaṭa vaḍā vædagat vannē prāyōgika vana tama dænumayi.
This is a Google word to word translation of a article publised on Divaina on 2013/05/10.