සිංහල මුල් පිටපතේ අනුවාදනය මෙතනින් අප අවට චරිත හඳුනා ගනිමු
“The world is a theater, and we will act there,” said world famous dancer William Shakespeare. In fact, we are really aware of who they really need to get to know with different women and men in society long ago. It’s very difficult to identify people. The real reason is because they are fake performers who hide their true reality. It can not be acted on a stage, but it seems that there are a lot of people playing among us.
The word “character” is used for two definitions. One is the character CHARACO ER acting in Aperture. The second is the character of one’s behavior or character (EHA). That is the practice of someone. In this article, we will discuss how to identify one’s true character. It is very useful for you to get to know the real person you are associating with.
Psychologists are also struggling to identify human characters. According to the concept of Karl Youngen, men classify humans in two ways. This is called the “Extinguishable variant” (which contains the internal language) or “externally” (which includes the internal language).
But the characterization of Buddhism and the characterization of characters by seniority are much deeper. Reading is exciting. The study is also awesome. We can observe carefully that he or she has a very different character than the one we see on the outside.
The Dhamma states that the character is being built from the principle of pre-natalism, in accordance with habitually trained attitudes. Six such characters are described in Buddhism. That
1. Raga characters, 2. Violent characters, 3. Mouh characters, 4. Shure characters, 5. Intelligent characters, 6. Winders.
This nomination was done on the character of the character. Raga’s roles, or passions, are abundant. Other characters have been named accordingly. It’s a problem to figure out who belongs to these six characters. The character is identified as follows:
The character can be understood in terms of how to hold gurus, how to eat, etc., and the location of the horoscope or the location of the horoscope. A brief description of this is given below.
Rag character
When people walk this character, the lower part of the lower body does not touch the floor. Only the end of the lungs and the bottom of the foot. The upper part is elevated. Proudly goes to glamor. He is very concerned about his appearance. When it comes to eating it needs to be beautiful, it looks colorful. Tastimetric properties. Looks sweet to taste. It’s silly. With folding mattresses, many comfortable pillows are also pleasurable when sleeping. Often the channel is in the canal. When the wake is awake, the calm wakes up. Prefer young people’s interests.
The Venus planet is deposited in the lagoon, and it can be found in Venus, Venus, and Venus.
The hateful character
Those who hate the characters are walking on the ground. It’s going fast. Always angry. Immediate anger, cheating, and discontent. Show up aggressive postures. Continued clashes. Even when it is time to sleep, no satisfaction. Bed sheets are made of pillow tops and wake up. Always blame. Not good enough. They often find fault with food. Denounces. You do not eat properly. The taste can not even be tasty. When eating, the quandary spills. They speak in rough terms.
The lion and the scorpion light are intent on the hateful character. But it was not just the log. Ravi and Kuja, which hate hatred, are the hideous characters born or seen in the world.
Mou character
Every posture is complicated. While eating, the salt is more like the taste, but it tastes good and tasty. At the end of a chair, at the half-table, there is a dining table. Eat from here and not from the edge of the plate. I do not remember what I had afterwards. When traveling, he looks at the surroundings and hears himself irresponsibly. Moving both sides of the road is moving. I like bed. Often sleeping with his face. He is very roaring. Sometimes the udder also sleeps.
Shani’s power is largely influenced by the creation of a mummy character. When you are in the Saturn Moon, or when you are in the first place, you are born with mute characters.
Shreth Character
Most of them are from the lion ring. No fears, no gestures. Sleep sleeping thoughts. In the morning, too, is awake. In the home, I sleep and sleep before others. You are walking along the road and talking. He behaves in a way that pleases others. Honor the respected. I do not fear any unfamiliar journey. Eat food too quiet. He treats others generously.
Geographed in the Moon, the moon or the power of the Moon, the brightness of the Moon, or the Jupiter, comes from the Moon. The cradle is special.
Intelligence
Those who are intelligent look when they eat their food, their taste or beauty, or their appearance. Meals are taken at the right time. It is also spoken intelligently at eating and at other times. Spending expenses is also sparingly. It’s just a pleasure. When the journey is moving, the composure moves too closely. Moves carefully. He works according to the timetable. Reading books is often preferred. Learning If you want to suffer. It’s also unwilling to make money. She is well prepared when she is sleeping. She wants sleep less. At the beginning of the morning there is a waking man. The first thing in the nerve is the presence of a first person with a mercurous asteroid or the presence of an intelligent character. He is constantly awake from his character. Perhaps one night they go to sleep and go to sleep. No work at all. In dreams, she is sleeping. There is no order when eating. Thinking of one thing and doing another thing doing something else. He constantly argues. Not happy with what is available. There is no plan when traveling. Always change fashion designs. Always arguing with others. The Builder is the master of the planet and the birth of Buddha or Rahu to the first state or the appearance of a starring character. The following is a short but essential description of the characters. In the meantime, it has been said that you should look closely and understand the character, role, character, hatred and intelligence, the character and the character. Apart from this, it’s easy to get around when you recognize the character of those you associate with. For more information on how to practice meditation, see the “Hellenic Revolutionary Road” pages 157-170.
apa avaṭa carita han̆dunā ganimu
“lōkaya ran̆gaman̆ḍalaki. api ehi naḷu niḷiyan vennemu” yǣyi lōka prakaṭa nāṭya śilpiyeku vū viliyam ṣēkspiyar pavasā tibē. ætta vaśayenma samājayē vividha gæhæṇun hā minisun samaga æsuru kirīmaṭa siduvana apaṭa ovun kavarahudæyi sæbǣ lesama han̆dunā gannaṭa læbennē bohō kal pasuvū viṭaya. minisun han̆dunā gænīma etaram duṣkaraya. īṭa sæbǣ hētuva vannē ovun tama tamangē satya tattvaya vasan karagena karana vyāja ran̆gapǣma nisāya. vēdikāvaka ran̆gapǣmaṭa nohæki namut bohō aya apa atara siṭinnē kisiyam caritayak ran̆gapāmin bava mænavin vimasā balana viṭa penī yayi.
“caritaya” yana vacanaya artha dekak san̆dahā bhāvitā vannēya. ekak nam raṁgana śilpayēdī karana ran̆gapǣmaṭa adāḷa (CHARACoER) caritayayi. devænna yamekugē hæsirīma hevat gatiguṇa piḷiban̆dava penvana (īEHAḍhaṣadham̆baR) caritayayi. enam kenekugē yathā svabhāvayayi. mema lipiyen sākacchā kirīmaṭa adahas karannē kenekugē sæbǣ caritaya hevat gati guṇa han̆dunā gannā ākārayayi. oba æsuru karana pudgalayāgē sæbǣ caritaya han̆dunā gænīmaṭa læbīma obaṭa itā prayōjanavat vanavāṭa sæka næta.
manuṣya carita han̆dunā gænīma san̆dahā manōvidyāgnayin da bohō vehesa darā æti bava penē. kāl yuṁ nam vidyāgnayā gē saṁkalpaya anuva minisun varga karannē deākārayaṭakaya. ovungē væḍi namyatāvaya ættē abhyantarava (tamā gænama) da nætinam bāhiravada yanna vimasā balana meya (ṣabhaoRdhaḍhǣRSṣadhabha-EṅaoRAḍhǣRSṣadhabha ośachadhakhadhaṭhaśa) antargata bāhirtaka varga vādaya” lesa hæn̆dinvē.
ehet budu dahamē pæhædili karana carita lakṣaṇa hā jyedtiṣaya anuva karana carita vargīkaraṇaya meyaṭa vaḍā bohō gæm̆buruya. kiyavīmēdī katuhalaya danavana suḷuya. hædærīma da āśvādajanakaya. apa piṭatin dakina pudgalayāṭa vaḍā behevin venas caritayak ohuṭa hō æyaṭa tibena bava vimasilimatva balana viṭa dækagata hæki vannēya.
caritaya goḍanæn̆gennē pera ātma bhāvayē siṭa purudu puhuṇu karagat caryāvanṭa anukūlava bava dharmayē san̆dahan veyi. evæni carita hayak budu dahamē vistara kara æta. enam
1. rāga carita, 2. dvēṣa carita, 3. mōha carita, 4. śraddhā carita, 5. buddhi carita, 6. vitarka carita vaśayeni.
mema nam kirīma kara ættē caritayē bahulava daknaṭa læbena lakṣaṇa anuvaya. rāgaya hevat āśāvan bahulava ættē rāga caritayāṭaya. an caritada ē anuva nam kara tibē. yam keneku mē carita hayen kumakaṭa ayat dæyi han̆dunā gannē kesēda yanna gæṭaḷuvaki. caritaya han̆dunā gannē mesēya.
iriyav pavatvana ākāraya kǣma kana ākāraya, ādiya anuva vimasā bælīmenda janma patraya hevat han̆dahanē graha pihiṭīm valinda caritaya avabōdhakara gata hækkēya. pahata san̆dahan vannē mē piḷiban̆da keṭi vistarayaki.
rāga caritaya
mema caritaya æti aya ævidina viṭa yaṭi patulē mæda koṭasa bima sparśa vannē næta. viḷum̆ba hā payē keḷavara pamaṇak bima vadī. mæda koṭasa usva tibē. mahat āḍambarayen lālityayaṭa gaman karayi. tamangē penuma gæna bohōduraṭa sælakilimat veyi. āhāra gannā viṭa eya lassanaṭa, penumaṭa, varṇavatva tibīma avaśya veyi. guṇayaṭa vaḍā rasaya gæna balayi. rasa mihirama soyayi. æm̆bul rasa priyayi. nidā gannā viṭada bohō sæpa pahasuvaṭa lassana æn̆da ætirili koṭṭa meṭṭa valinma tṛptimat veyi. bohō viṭa ælayaṭa nidayi. avadi vana viṭada saṁsunva avadi veyi. taruṇa taruṇiyangē æsuraṭa vaḍāt kæmati veyi.
jyedtiṣayēdī rāgaya himi sikuru grahayā balavatva lagna bhāvayē tænpat vīma vṛṣabha, tulā lagnaya vī sikurugē tænpat vīma hō dækīma rāga caritayaka upadavayi.
dvēṣa caritaya
dvēṣa caritaya himi aya bima hārannāk men gaman karayi. ikman gamanin yayi. nitara taraha ganī. kṣaṇika kōpaya, kaḷa kirīma, atṛptiya penvayi. kalabala dæḍi iriyav penvayi. nitara gæṭum ætikara ganī. nidā gannā viṭada kohoma tibuṇat tṛptiyak næta. æn̆da ætirili koṭṭa avussā damā avadi vannēda dvēṣayeni. hæma viṭama dos dakī. hon̆dak dakinnē næta. kǣma kana viṭa nitarama væradi hoyayi. dos kiyayi. piḷiveḷakaṭa kǣma kannēda næta. rasayat guṇayat dænīmaṭavat nohækivē. kǣma kana viṭa ḍahadiya vægirē. katā karannēda raḷu vacana valini.
siṁha hā vṛścika lagna himi aya dvēṣa caritayaṭa baraya. ehet ema lagnaya vū pamaṇin novē. dvēṣaya himi ravi hā kuja yana grahayin lagna bhāvayē hevat paḷamuvænnē siṭīma hō dækīma nisā dvēṣa caritayin bihi vannēya.
mōha caritaya
sǣma iriyavvakama avul gatiyak tibē. kǣma kana viṭa luṇu rasaṭa væḍiyen kæmati namut rasa guṇa nobalā baḍa pirena turu kāgena yayi. kǣma mēsayēda nova puṭuvaka keḷavaraṭa vī bāgeṭa in̆daganī. pin̆gānē keḷavaraka siṭa nova atanin metanin rægena anubhava karayi. kǣmaṭa tibuṇē monavādæyi pasuva mataka næta. gaman karana viṭa vaṭa piṭa balaminda aparīkṣākārivada gaman karayi. pārē depættaṭama māru vemin gaman karayi. nindaṭa kæmatiya. bohōviṭa munin ataṭa nidā ganī. tadin goravayi. samahara viṭa uḍukuruva da nidāganī.
mōha caritayak nirmāṇaya vīmaṭa bohōduraṭa balapānnē śanigē balayayi. senasuru lagnayē hevat paḷamuvana bhāvayē tænpat vū viṭa hō duṭu viṭa mōha caritayō upaditi.
śraddhā caritaya
væḍipurama ælayaṭa hevat siṁha sēyāven nidayi. ninden bhayavīm, geravīm næta. āgamānukūla dēval sitamin nidā ganī. pāndara avadi vannēda śāntavaya. gedara an ayaṭa vaḍā pasuva nidāgena kalin avadi vē. saṁvarava ævidi saṁvarava katā karayi. anun satuṭuvana ākārayaṭa hæsirē. garu kaḷa yuttanṭa garu karayi. nupurudu gamanak yæmaṭada biyak næta. kǣma kana viṭada sansunya. anunṭa nirlōbhiva saṁgraha karayi.
guru hevat brahaspati grahayā balavatva lagnayē tænpat vīma hō lagnaya dækīmada san̆du hō balaya lagnayaṭa læbīmada śraddhā caritayada upadavayi. kaṭaka lagnaya viśēṣayi.
buddhi caritaya
buddhi caritaya himi aya kǣma kana viṭa balannē ehi æti rasaya, lassana hō penuma nova guṇayayi. niyama vēlāvaṭa niyamita sthānayakama āhāra ganī. kǣma kana viṭa menma venat avasthāvaladīda buddhimat lesa katā karayi. viyadam karana viṭada arapirimæsmen viyadam karayi. lada pamaṇin satuṭuvana keneki. gaman karana viṭada saṁvarava parīkṣākārīva gaman karayi. kalpanākārīva gaman karayi. kāla saṭahanakaṭa anuva væḍa karana keneki. nitara potpat kiyavīmaṭa kæmættak dakvayi. igenīmaṭa nam duk vin̆dīmaṭada kæmætten siṭī. lokuvaṭa mudal ipayīmaṭa da kæmættak næta. nidā gannā viṭada hon̆din sūdānam veyi. ninda aḍu nætiva uvamanā karayi. pāndarama avadi vana keneki.balavat vū budha lagnagata vīma nisā buddhi caritaya himi ayeku bihivē. kanyā lagnayē paḷamu vænnē mithuna yē paḷamu vænnē budha śubha grahayeku samaga siṭīma hō dækīma nisā buddhi caritayaku bihiviya hækiya.vitarka caritayaninden nitara avadi veyi. samaharaviṭa eka tænaka siṭa tavat tænakaṭa gos nidāganī. kisima væḍak velāvaṭa karannē næta. nindēdī sihinen doḍavayi, dan̆galayi. kǣma kana viṭada piḷiveḷak næta. ekak sitamin, venat deyak karamin tavat deyak katā karanneki. nitara tarka vitarka karayi. lada deyakin satuṭuvana kenek novē. gaman yana viṭada sælæsmak næta. nitara æn̆dum mōstarada venas karayi. nitarama an aya samaga vāda bhēda ætikara ganī.budha grahayā vitarkayaṭa adhipati vana atara budha hō rāhu grahayā paḷamuveni bhāvayaṭa tænpat vīmen hō eya dækīmen vitarka caritayaku upadavayi.ihata dakvana laddē carita haya piḷiban̆dava keṭi namut atyāvaśya karuṇu sahita vistarayaki. mē atara rāga caritaya hā śraddhā caritayada, dvēśa caritaya hā buddhi caritayada mōha caritaya hā vitarka caritayada samāna lakṣaṇa dakvana nisā hon̆din parīkṣā kara balā tērum gata yutu bava kiyā tibē.budurajāṇan vahansē carita han̆dunvā dī ættē ē ē ayaṭa sudusu bhāvanā krama nirdēśa kirīma piṇisaya. mē hæra oba æsuru karana ayagē caritaya han̆dunāgat viṭa æsuru kirīma pahasu vannēya. caritaya anuva bhāvanā karana ākāraya piḷiban̆dava væḍi vistara san̆dahā “siṁhala viśuddhi mārgaya” 157-170 piṭu balanna.
This is a Google word to word translation of Divaina